alanreed:

Painting on Location
Last September I spent a very inspirational week in Norfolk with my wife Susan, daughter Louise and grandchildren Ewan and Anya. Every morning I rose before 6am to paint on location.
I usually had two paintings on the go together so that while one wash was drying, I was able to work on the other. The painting above is one I did of Wells-next-the-Sea on a watercolour block 12” x 9”. The second painting of the same scene was in my sketch book containing hand made Italian watercolour paper. 
After applying a wash of lemon yellow to set the tone and mood for the sky, I worked directly onto the paper, drawing with the brush and paint, rather than use a pencil. By working this way, one is able to make marks which are more spontaneous and fresh.

alanreed:

Painting on Location

Last September I spent a very inspirational week in Norfolk with my wife Susan, daughter Louise and grandchildren Ewan and Anya. Every morning I rose before 6am to paint on location.

I usually had two paintings on the go together so that while one wash was drying, I was able to work on the other. The painting above is one I did of Wells-next-the-Sea on a watercolour block 12” x 9”. The second painting of the same scene was in my sketch book containing hand made Italian watercolour paper.

After applying a wash of lemon yellow to set the tone and mood for the sky, I worked directly onto the paper, drawing with the brush and paint, rather than use a pencil. By working this way, one is able to make marks which are more spontaneous and fresh.

posted 10 months ago via alanreed
  1. theartistswife reblogged this from alanreed
  2. alanreed posted this